Satellite News

SAT Corporation, a wholly-owned subsidiary of Integral Systems, Inc., announced that it has been chosen by Argentina’s Empresa Argentina de Soluciones Satelitales (AR-SAT) to provide Satellite Monitoring and Interference Detection and Analysis System in support of its ARSAT-1 satellite and ground stations.

Intelsat S.A. announced an agreement with Turksat A.S. which will result in enhanced satellite capacity serving the Middle East region.

Turkish pay-TV platform Digiturk has signed an agreement for the lease renewal of 12 transponders until 2021 at Eutelsat’s 7 degrees East video neighbourhood occupied by its W3A satellite.

Gilat Satellite Networks Ltd. has entered into a definitive agreement to acquire RaySat Antenna Systems (RAS), a provider of Satcom On The Move antenna solutions.

SES Astra announced that it has again significantly increased its reach and grown the number of digital and High Definition TV households on the Astra satellite system.

“[I]t is obvious that an overcapacity situation already exists in the launch services market. When I hear certain operators say the contrary, what they really want is additional cheap launch services on the market – but this is something they won’t admit out loud. … The system of commercial launch service providers is working very well, offering capacity to cover all of the market needs for prices that are globally affordable – so if the telecommunications operators want to destabilise this system, I think they will face the consequences from the resulting damage.” — Arianespace Chairman and CEO Jean-Yves Le Gall

This year’s Academy Awards provided lots of surprises. Standing at the forefront of the nominations were two very powerful, contrasting films that have both received a lot of attention over the same broad issue: race.
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It started out as simply a short, choppy animation, something that creators Trey Parker and Matt Stone put together in order to mock the true meaning of the holiday season: materialism and presents. From there, the stop motion animation of Jesus Christ fighting Santa Claus in front of four, foul-mouthed kids and a piece of talking feces became one of the first viral videos, entitled the “Spirit of Christmas,” and it traveled throughout the Net and in and out of people’s email inboxes. Eventually, it landed in the hands of a Comedy Central executive, who commissioned the duo to turn the short animation into a full-fledged series. Thus, “South Park” was born.
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